Akinyi of the Akinyi Gallery
Akinyi, who prefers to go only by her middle name, is a multi-disciplinary artist. She has immersed herself in sculpting, fashion styling, and jewelry designing. She combines elements of both sculpture and fashion to express her thoughts on feminism.
We see in our conversation how Akinyi has kept art alive throughout her life, even as a young law student and eventually deciding to quit to pursue art professionally.
Silver lining
Tell us a brief history of your artistic journey.
Drawing, painting, and molding clay were my first artistic expressions as a child. While my parents nurtured my interest in art, it took them by surprise when I wanted to pursue it as a career. My father made it clear that he would not fund a hobby, as he put it.
I joined law school. I figured that I could be involved in the arts by pursuing a career as an entertainment lawyer so that I could help artists protect their intellectual property rights. I ran a thrift shop where I styled many artists. I took the bold step of quitting school last year. My parents eventually supported my decision.
At what point did you decide to pursue a career in art?
When I was in school, I began approaching art as a profession. What kicked it off was a Kevin Oduor piece, which I saw at a friend’s house. It was an old, torn, resin T-shirt. My friend also encouraged me to take this more seriously.
I am a self-taught artist. In the beginning, I could not find people who produced work similar to mine. It entailed purchasing materials to determine what works and what does not. It was expensive for me in the beginning.
What was the first sculpture that you made?
It was made out of an old T-shirt. I have fabrics and mannequins in my house by virtue of being a fashion stylist. One day I used one of those fabrics lying around to wipe glue off, and it became hard. I used a mannequin as a cast. I was proud of myself. I went to show my mother, but she did not like it. I told myself that since I liked it, someone else would too.
I have experimented a lot since then, and I now mainly work with newspapers and left-over fabric, which I get from Nairobi Textiles.
Lace cast
Why is it important for you to explore the themes of equality and feminism in your art?
I am obsessed with being a woman. I also want to see more representation of women by women, as I think that the male perspective of us is a little skewed. It is not a reflection of ourselves or of each other.
Take us through your research practice.
I buy a lot of materials and then experiment to see what works and what doesn't. This is how I began working with resin and found out that I could actually use resin to make the fabric more durable, water-resistant, and breathable. I started using wire to make my pieces sturdier. When it comes to creating, I never do sketches. The ideas come to me, and I just go with the flow.
How do you determine the price of your work?
I really struggle with this one because my pieces are personal. I also work on different artworks simultaneously, so I cannot tell how long it takes to create each. I usually ask myself how much I would pay for the piece. I price my work based on my feelings; I do not know whether that is a good or a bad thing!
Untitled
How do you manage to make an income?
I had to diversify my businesses. I make jewelry and candles and sell thrift clothes and sex toys (anything for the pleasure of women!). I want to open a tiny restaurant and get produce from my own farm.
When it comes to my art, I am trying to make a name for myself so that I can have my works exhibited at the Smithsonian Museum, permanently at the Nairobi National Museum, and in a theatre.
Do you have a network of artists with whom you support each other?
I have a small network of artist friends, most of whom I went to high school with. I have also interacted with other artists through my fashion business, and now my art and I visit their shows.
Who are your most impactful artistic influences?
My mother, who is now my biggest supporter, is my biggest inspiration. She is a fashion icon in my eyes. Even though she worked in the Ministry of Youth Affairs, Sports, and the Arts, she did not want me to become an artist because of how art is undervalued here. She was concerned about people's perception of me for depicting nudity in my art.
When I was in law school, I would admire artists who were making a living out of their art. The artists that I meet in art galleries, studios, and workshops inspire me. These are painters Jacqui Ogolla, Harriet Mia, and Kai from Kenya; Arafa from Tanzania; and sculptor Mario from South Africa. Juakali artists, who are not as famous, also inspire me.
It is always inspiring to meet a female sculptor. I have met so many of them in Kibera or in workshops; women ceramists can be found literally everywhere.
Big boys do cry
What are your least favourite parts of professional art?
I tend to get lost in my art. I forget to follow up on the good opportunities that come my way. When I have an exhibition, I do not enjoy telling the same story to many people in one night. I need a manager to help me with the business aspect while I focus on the creative. Finances are another concern. I need to be able to afford travelling and retiring by the beach at 35 years old. (Laughs)
Getting a studio space has been difficult. I want to work with other artists, and I have tried to pay for one particular space, but I was taken around in circles. I will start my own collective if that is what it takes for me to work away from home.
The other thing that I find least appealing is that we do not have a strong government system to champion the arts. Lastly, more seasoned artists need to mentor early-career artists.
What do you enjoy the most about the art industry?
The art industry is eccentric. I meet many artists who amaze and inspire me with their work.I enjoy being in this space because of the opportunity to express myself, convey emotions, and spark conversations through my art.
How would you describe your dream project?
There is always a dream project at any point in my career. Currently, I have been thinking about creating a monumental sculpture of Wangari Maathai and having it erected at Uhuru Park to educate the public on who fought for that land. I hope to create installations on beaches to sensitize people about ocean conservation.
POSE
How would you define success?
One year ago, I had a contract with some Italians who would pay my bills, pay for my studio and house rent, and buy my art. They are my biggest collectors. I find that part to be sad because I make these art pieces for Africans. I use vitenges; what do I need to make my people happy so that they can value my work? Success for me is having Africans buy my work. Success is when people recognize my pieces wherever they go. I also want to be able to fund my lifestyle, which is quite expensive, with just my art.
How do you stay motivated?
I have the utmost love and belief for my work. If I have come this far, I believe it is because there is something special about my work. Money keeps me motivated. I also want to continue to do my part in conserving the environment by upcycling fabrics, for we all know that the fashion industry keeps producing more than we will ever need.
How has your work deepened your sense of personal growth?
Using my body as a cast in my work has made me find a deeper appreciation for my body. Quitting law school proved to me that I am brave. Skill-wise, I was surprised to see that I can sculpt human figures.
How would you advise an artist who is at the start of their career?
Aside from their talent, I believe they should bring something extra to the table. I would encourage them to possess self-belief, networking skills, and caution. Do not take it personally if someone does not like your work. In fact, chances are that those close to them may not appreciate their art, but many other people in the world will.
Lastly, I normally advise artists to register with the Ministry of Youth Affairs, Sports, and the Arts with only KES 520. Whenever the Ministry wants to promote our culture around the world, they reach out to the registered artists. Not too many artists know about this.
